Avi's suspenseful seafaring adventure ESCAPE FROM HOME continues in INTO THE STORM. Fifteen-year-old Maura and twelve-year-old Patrick O'Connell are finally free from the impoverished conditions of their small Irish village. Though they've made it onto the ship to America, there's still a treacherous journey ahead of them. In the storage hold, ten-year-old Laurence Kirkle struggles to survive and stay hidden as the ship's crew searches for stowaways to throw overboard. All three children are in search of a better world and a new home. But will they find what they're looking for in America? Once again, Avi skillfully creates an edge-of-your-seat adventure brimming with action and heart.

In The Fatal Englishman, his first work of nonfiction, Sebastian Faulks explores the lives of three remarkable men. Each had the seeds of greatness; each was a beacon to his generation and left something of value behind; yet each one died tragically young. Christopher Wood, only twenty-nine when he killed himself, was a painter who lived most of his short life in the beau monde of 1920s Paris, where his charm, good looks, and the dissolute life that followed them sometimes frustrated his ambition and achievement as an artist. Richard Hillary was a WWII fighter pilot who wrote a classic account of his experiences, The Last Enemy, but died in a mysterious training accident while defying doctor’s orders to stay grounded after horrific burn injuries; he was twenty-three. Jeremy Wolfenden, hailed by his contemporaries as the brightest Englishman of his generation, rejected the call of academia to become a hack journalist in Cold War Moscow. A spy, alcoholic, and open homosexual at a time when such activity was still illegal, he died at the age of thirty-one, a victim of his own recklessness and of the peculiar pressures of his time. Through the lives of these doomed young men, Faulks paints an oblique portrait of English society as it changed in the twentieth century, from the Victorian era to the modern world. From the Trade Paperback edition.

Samantha and Emma's love story, once filled with passion and promises, is threatened by Emma's demanding career. As the distance between them grows, Samantha fights to keep their connection alive. Doubts and fears cloud their relationship, leaving Samantha questioning if Emma's heart still belongs to her. "Trust My Love" is a heartfelt lesbian romance that explores the strength of love, the power of vulnerability, and the courage to fight for what truly matters. Can Samantha and Emma rediscover their love, or will life's pressures tear them apart? Dive into a tale where love's resilience is tested, but its flame never truly extinguishes.   Free short story from the author's newsletter.

High Lonesome is a darkly comic, fiercely tragic, and strikingly original odyssey into American life. This collection by the author of Airships and Bats Out of Hell explores lost moments in time with intensity, emotion, and an eye to the past. In "Uncle High Lonesome," a young man recalls his Uncle Peter, whose even temper was marred only by his drinking binges, which would unleash moments of rage hinting at his much deeper distress. Fishing is transformed into a life-altering, almost mystical event in "A Creature in the Bay of St. Louis," when a huge fish caught on a line threatens to pull a young boy, and his entire world with him, underwater and out to sea. And in "Snerd and Niggero," a deep friendship between two men is inspired by the loss of a woman they both loved, a woman who was mistress to one and wife to the other. Viewed through memory and time's distance, Hannah's characters are brightly illuminated figures from a lost time, whose occassionally bleak lives are still...

The Wheel of Time turns and Ages come and go, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. In the Third Age, an Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow. Elayne, Aviendha, and Mat come ever closer to the bowl ter'angreal that may reverse the world's endless heat wave and restore natural weather. Egwene begins to gather all manner of women who can channel--Sea Folk, Windfinders, Wise Ones, and some surprising others. And above all, Rand faces the dread Forsaken Sammael, in the shadows of Shadar Logoth, where the blood-hungry mist, Mashadar, waits for prey.

In the Beauty of the Lilies begins in 1910 and traces God’s relation to four generations of American seekers, beginning with Clarence Wilmot, a clergyman in Paterson, New Jersey. He loses his faith but finds solace at the movies, respite from “the bleak facts of life, his life, gutted by God’s withdrawal.” His son, Teddy, becomes a mailman who retreats from American exceptionalism, religious and otherwise, into a life of studied ordinariness. Teddy has a daughter, Esther, who becomes a movie star, an object of worship, an All-American goddess. Her neglected son, Clark, is possessed of a native Christian fervor that brings the story full circle: in the late 1980s he joins a Colorado sect called the Temple, a handful of “God’s elect” hastening the day of reckoning. In following the Wilmots’ collective search for transcendence, John Updike pulls one wandering thread from the tapestry of the American Century and writes perhaps the greatest of his later novels.

A printing office of a newspaper is no place for a member of the female sex.' 1890s, regional Australia. Koolgalla is a gold town, but the gold rush is beginning to wane. In the office of the Koolgalla Argus, the editors must decide between protecting old interests and investing in the farmland of the future. The new editorial assistant, J. G. Milford, arrives—but it turns out the 'J' stands for Jenny. The Torrents is a forgotten classic. In 1955 it was the co-winner, with Summer of the Seventeenth Doll, of the Playwrights' Advisory Board's award for Best Play. Yet while Lawler's play is considered a defining feature of Australian theatre, The Torrents is underappreciated and was perhaps ahead of its time. Currency Press is proud to re-publish this crucial work, whose themes of media chauvinism, environmental destruction and corrupt powers are chillingly relevant today.Features a new introduction by Anne-Louise Sarks.

Diagnosis Impossible: The Problems of Dr. Sam HawthorneThis collection is set in New England during the 1920's and the 1930's, and features country doctor Sam Hawthorne who specializes in locked room and other impossible crimes. Among the 12 stories is the classic tale of a horse and buggy that enter a covered bridge -- and vanish. Introduction by the author; Sam Hawthorne chronology and bibliography by Marvin Lachman.contents“The Problem of the Covered Bridge” [March 1922]. EQMM, December 1974.“The Problem of the Old Gristmill” [July 1923]. EQMM, March 1975.“The Problem of the Lobster Shack” [June 1924]. EQMM, September 1975.“The Problem of the Haunted Bandstand” [July 1924]. EQMM, January 1976.“The Problem of the Locked Caboose” [Spring 1925]. EQMM, May 1976.“The Problem of the Little Red Schoolhouse” [Fall 1925]. EQMM, September 1976.“The Problem of the Christmas Steeple” [December 25, 1925]. EQMM, January 1977.“The Problem of Cell 16” [Spring 1926]. EQMM, March 1977.“The Problem of the Country Inn” [Summer 1926]. EQMM, September 1977.“The Problem of the Voting Booth” [November 1926]. EQMM, December 1977.“The Problem of the County Fair” [Summer 1927]. EQMM, February 1978.“The Problem of the Old Oak Tree” [September 1927]. EQMM, July 1978.

A contemporary psychological thriller in the style of Ruth Rendell, from one of today's most versatile and compelling storytellers. It was easy for Elizabeth. She married the man she loved, bore him two children and made a home for him which was the envy of their friends. It was harder for Ruth. She married Elizabeth’s son and then found that, somehow, she could never quite measure up… Isolation, deceit and betrayal fill the gaps between the two individual women and between their different worlds. In this complex thriller, Philippa Gregory deploys all her insight into what women want and what women fear, as Ruth confronts the shifting borders of her own sanity. Laying bare the comfortable conventions of rural England, this spine-tingling novel pulses with suspense until the whiplash double-twist of the denouement.

Newbery Medal winner and master storyteller Sharon Creech spins a wonderfully funny and tender tale. As nine-year-old Dennis confronts the ghost of his uncle Arvie, Arvie's eccentric antics and wonderful wordplay keep the reader laughing. But at its tender heart, the story reveals the holes left in our lives when we lose the ones we love. Ever since nine-year-old Dennis's dad died, a veritable parade of ghosts has been passing through his bedroom. When the ghost of his uncle Arvie blows into his room on a warm breeze, Dennis isn't surprised, but Uncle Arvie is the first ghost who wants something from Dennis. Dennis would love to help Uncle Arvie, but he can't quite understand what Uncle Arvie is asking for. What, for example, is "Fraggle pin Heartfoot a wig pasta"? Dennis has to find out, because this is one ghost who isn't going to leave until he gets what he came for. Uncle Arvie's antics and Dennis's attempts to please his ghost form the heart of this touching story.

Sometimes weird things happen to people. Ask Jake. He may tell you about the night he and his friends saw a strange light in the sky. He may even tell you about what happened when they realised the 'light' was only a plane - from another planet. Here's where Jake's story gets a little weird. It's where they're told that the human race is under attack - and given the chance to fight back. Now Jake, Rachel, Cassie, Tobias and Marco have the power to morph into any animal they choose. And they must use that power to outsmart an evil that is greater than anything the world has ever seen....